{"id":4108,"date":"2019-07-02T18:34:54","date_gmt":"2019-07-02T16:34:54","guid":{"rendered":"https:\/\/www.mariomartinelli.it\/artista-2\/"},"modified":"2019-12-20T16:55:55","modified_gmt":"2019-12-20T15:55:55","slug":"critica","status":"publish","type":"page","link":"https:\/\/www.mariomartinelli.it\/en\/critica\/","title":{"rendered":"Criticism"},"content":{"rendered":"
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Between the mesh of the material<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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by Pierre Restany<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A mystery resides permanently in the field of art: the transformation of matter into poetic energy. This is what happens in the work of Mario Martinelli, whose art is a kind of alchemical process in which the tension towards the form transfigures the material, allowing the work to reveal a new meaning.\nMartinelli began unweaving the canvas to which he had normally applied paint at the end of the 1960s, and reconstructed it through close contact with its tangled fibres in a web of Dionysian beat and Appollonian look. [...]<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Read more<\/u><\/a> or download pdf<\/u><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The thread and the shadow<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Maurizio Vitta<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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At the beginning it was woolen, and created polychromatic yarn weavings, with warm changing figurations. Then the artist used iron wire, interlaced in regular, netlike geometries.<\/p>

Thread represents traces, trails, prints, and is thus a pale sign of a course to follow, a reasoning we have to shape. Just like lines, threads have no thickness nor depth, but only the dimension of length. Thread is a one-dimensional sign that points out orientation, an axis, but does not point towards a \ndirection.<\/p>

Martinelli has built his shadow poetics on the theme of thread [...]<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Read more<\/u><\/a> or download pdf<\/u><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The transparency of the shadow<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Paolo Ruffilli<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lucian of Samosato, the second-century Greek writer and sophist, often wrote in his philosophical and literacy works on the subject of 'shadows' and their complex and ambiguous quality which belongs both to the world around us and to the world beyond.\n\nHis laughter at the vanities of the world continuously resounds in his Dialogues, short episodes set in the sky in the depths of the ocean or the after-life, where mythological and religious characters are astutely depicted in human terms. In particular, his favourite character, the cynical philosopher, Menippus, tells us that \"after we die, the shadows are the accusers, witnesses and proof of what we have done in life\", and that \"they inspire complete faith, because they are always with us and never abandon the bodies\". [...]<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Read more<\/u><\/a> or download pdf<\/u><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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About the supremacy of arabesque<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Enrico Baj<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When a painter paints, they do it on a canvas. Thus, painting relates to the textile world where it encapsulates colours, shapes and imaginative figures.

\nNowadays a painter would stick together, or assemble substances and colours in what is known as \u201ccollage\u201d. I have myself glued together plenty of ribbons, laces, braids, strips, crochets, ropes, twines, hinges, tripes and any other sort of artistic weaving and embroidering.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Read more<\/u><\/a> or download pdf<\/u><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tra le maglie della materia Pierre Restany Un mistero risiede permanentemente nel campo dell\u2019arte: la sublimazione della materia in energia poetica. \u00c8 quanto succede nell\u2019opera di Mario Martinelli la cui arte \u00e8 una sorta di processo alchemico in cui la tensione verso la forma trasfigura la materia portando l\u2019opera allo svelamento di un nuovo senso.\u00c8 […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4108","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/pages\/4108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/comments?post=4108"}],"version-history":[{"count":32,"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/pages\/4108\/revisions"}],"predecessor-version":[{"id":4657,"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/pages\/4108\/revisions\/4657"}],"wp:attachment":[{"href":"https:\/\/www.mariomartinelli.it\/en\/wp-json\/wp\/v2\/media?parent=4108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}